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Writer's pictureKat Young

Upcoming paper - AES International Conference on Immersive and Interactive Audio

Updated: Mar 25, 2021


I'm excited to announce that our paper titled 'A Numerical Study into Perceptually-Weighted Spectral Differences between Differently-Spaced HRTFs' has been accepted for the 2019 AES International Conference on Immersive and Interactive Audio in York in March.


A screenshot from a paper entitled: A Numerical Study into Perceptually-Weighted Spectral Differences between Differently-Spaced HRTFs. Under that reads the names Kat Young, Cal Armstrong, Anthony Tew, Damian Murphy and Gavin Kearney. Under that is the affiliation of the authors: AudioLab, Communications Technhologies Research Group, Department of Electronic Engineering, University of York, UK

We were interested in the perceptual impact of using HRTFs which are slightly different to the intended ones - particularly when this is due to the application. Ambisonic rendering requires specific angles, often to 2 decimal places - what is the impact of using HRTFs measured at a slightly different angle? Often, the ears are the point of interest, but HRTFs are measured relative to the centre of the head - what impact does this change of origin have? Do these differences become negligible at a certain distance?


We simulated HRTFs for KEMAR using BEM (with Mesh2HRTF) at a high number of radial distances and using three origins - the centre of the head, and the position of each ear - and compared the differences between them using a perceptual difference model. We found that average variation reaches perceptual limits by 2-3m, however, there remained perceivable differences up to and beyond 10m, indicating that care must be taken when approximating either the distance or angular location of HRTFs.


Update: the paper is available here.


 

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